This episode examines the dialectical and/or reciprocal relations between science and myth, as explored by an artist, a curator, and a molecular biologist.

From neural networks to the World Wide Web, connectivity abounds. Branching patterns of complex configurations transmit and store impulses of information in the brain's living data bank.

Invoking physics and mathematics as scientific influences for the revolution in art that took place in the early 20th century, our guests discuss the realities behind appearances, the fourth dimension in time and space and the nature of simultaneity.

In an age of bio-technology and bio-engineering, the divide between nature and culture is becoming increasingly osmotic. Archeology meets DNA analysis, genes are bought and sold and urbanization is looked at as an aspect of manipulating nature.

The teratoma, a monstrous form of cells has resurfaced, as an entity which could bridge the philosophical gap between religion and science. Jennifer Willet and Shawn Bailey discuss their work which centers around live tissue, meat and digital media.

How do museum collections, like the mind, generate dreams? This episode explores the materialist self through neurocultural enhancements, information storage and "the seven sins of memory."

Suzanne Anker asks her guests, former Whitney Museum director David Ross, Steven Henry Madoff art journalist and filmmaker Virgil Wong about the federal government's action against the activist artist Steve Kurtz and the Critical Art Ensemble.

Another hair-raising episode in this exclusive series on art and biology, as the "Cowboy Science" - eugenics - comes under fire during Suzanne Anker's roundtable on reproduction (human and mechanical) and the beauty ideal.

n the first of this stimulating new series considering a new definition of "nature," Suzanne Anker hosts a discussion of the quickly falling boundaries between art and science, especially in regard to genetics.