Keith Rowe's instruments
Keith Rowe's instruments
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Keith Rowe and Kjell Bjorgeengen
Originally aired on Monday, April 11th, 2011

In a performance from December 5, 2010 tabletop guitarist Keith Rowe and video artist Kjell Bjorgeengen presented an interactive and interconnected video and sound piece - video is audio generated and produced in real time with no pre-recorded images; they have been working on this project for several years; it deals with a precarious situation both artistically and technically resulting in a music/video performance that cannot be easily preconceived. This program is produced in partnership with Experimental Intermedia Foundation, curated by Phill Niblock.

Originally aired Monday, May 14th, 2012

The San Francisco-based composer is interested in the transformations and slippages that occur when a large number of similar sounds are presented together, in dense layers; 1,000 different 60Hz hums; 10,000 different distant airplanes droning, etc.


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Originally aired Monday, July 18th, 2011

An interstellar multi-character audio operetta involving a multitude of human, alien, and machine voices, in a mash-up of primal and classic sci-fi, electro-acoustics and lo-fi video communications created by Dafna Naphtali and Chuck Bettis.


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Originally aired Monday, June 27th, 2011

On December 10, 2010, composer Byron Westbrook gave this performance to celebrate his CD release of his Corridors project, built from pre-processed instrumental improvisations and re-distributed through a customized multi-channel audio system.


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Originally aired Wednesday, May 11th, 2011

Composer and sound artist John Hudak's collection of electroacoustic miniatures inspired by European folk melodies, Asian street songs, and the inflections inherent in the speaking voices of various peoples of the world, recorded at EIF in 2010.


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Originally aired Monday, May 2nd, 2011

The sound artist demonstrates his method for creating a tactile feedback signal using acoustic pressure waves: airborne ultrasound generates a force field that can be touched and manipulated. Recorded live at EIF in 2010. Headphones recommended.


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