Jeffrey Deitch
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Art dealer Jeffrey Deitch describes the Clocktower as a beacon for what was, in the 1970’s, an emerging downtown New York art scene, and what soon became a model for alternative spaces worldwide.
(12 minutes)

Clocktower Gallery founder Alanna Heiss discusses the early, very early days of the Clocktower Gallery and other 1970's alternative spaces with sculptor Jene Highstein (Part 1 of 2).


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Bill Beirne recalls how Dieter Froese introduced him to the overnight inflation and casual destruction of Sol LeWitt works, and describes encountering a woman on a twenty-foot ladder at the Clocktower Gallery...


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Mary Heilmann describes hallways, recalls Carl Andre, and a potential new career for Clocktower Gallery founder Alanna Heiss.


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Clocktower Gallery founder Alanna Heiss discusses the early, very early days of the Clocktower Gallery and other 1970's alternative spaces with sculptor Jene Highstein (Part 2 of 2).


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Artist Joel Shapiro and bridges. Bridges, ladders, chairs, bridges, and an inaugural exhibition at the Clocktower Gallery, among other treasures of the early 1970's in the New York art world.


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Hosted by Alanna Heiss

The two-part conversation, A Slice of Pie with Alanna Heiss, took place November 11, 2009, at apexart between Clocktower founder Alanna Heiss, artist Nancy Hwang and curator Sandra Skurvida, curator of AVANT-GUIDE TO NYC: Discovering Absence.


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Sculptor Richard Nonas describes how he, Alanna Heiss, and a group of fearless artists turned abandoned, rundown basements into exhibition spaces, and wrote the early history of what would become the alternative spaces movement.


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Ellen Phelan discusses her early years as a painter in New York, and her encounters with Jennifer Bartlett, Elizabeth Murray, John Baldessari and, more importantly (as we would later find out), Joel Shapiro. A bit of our history at the Clocktower.


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Up close and personal with artist Colette, whose relationship with The Clocktower Gallery goes way back.


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Performance artist Ann Magnuson discusses her first meeting with the Clocktower Gallery, and how its dramatic quality informed her first performance in the space.


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Vito Acconci recalls his first installation in the Clocktower Gallery's boiler room, and discusses the importance of site-specificity in his work.


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