In Cambridge, Corwin finds himself at a lecture on Gobekli Tepe (in southeastern Turkey, The World's Oldest Temple) and gets Britain's Godfather of archaeology to talk about the ancient origins of art making and the intersection of art and archeology

After spotting her awesomely cool photographs in the 2010 Greater New York Exhibition, Will Corwin manages to get Turkish artist Pinar Yolacan into the studio to talk about her multimedia work and the House of Missoni.

In the fall of 2010, Will Corwin stopped by the Hamburg studio of the painter Ingeborg Zu Schleswig-Holstein. She regales Will with tales of life at PS1 in the early 80's plus stories from when she worked for Andy Warhol at the Factory, and more...

One half of the architectural experiment Atelier Bow-Wow discusses the 2011 BMW Guggenheim Lab on Houston Street in lower Manhattan until Oct 16. The Lab is a giant tool box with equipment to host lectures, performances, film festivals, workshops...

A talk with Andrew Hewish of C4RD in London which exists both as a gallery space, studio residency program, and an online forum and community for artists who look at drawing more as an end than a means. Plus artist/curator Paul Kindersley drops in.

While on residency in Hamburg, Will strolls over to the St. Georg neighborhood of the town to check out Michel Chevalier's basement art shop, "Unlimited Liability." Chevalier schools Corwin on the ins-and-outs of the Hamburg scene.

Turner Prize winner Gillian Wearing discusses her 2011 New York show, People (Tanya Bonakdar Gallery 5 May-24 June). It's a catch-all title that is probably the only way to discuss the photos that feature her disguised as her "spiritual" mentors.

A visit to the London studio of Turner Prize nominee Fiona Rae and a discussion about the process behind her most recent paintings, appliques and text, multiple voices, and her preparations for a 2011 exhibition in Berlin at Buchman Gallery.

Will goes on location at the Hayward gallery to talk to the 2011 British Art Show co-curators Lisa Le Feuvre and Tom Morton about the behind the scenes of the exhibition, including its strange, H.G. Wellsian secondary title: In the Days of the Comet.

Will interviews ARTonAIR's Director of Programs, David Weinstein, as part of the Williamsburg Oral History Project. They play a couple of Weinstein's tunes, and David proffers his theory for why the Williamsburg art scene took off: Thai food.

Joe Fig discusses his book Inside the Painter's Studio, which includes interviews with 24 artists accompanying documentation of their studios--including Chuck Close, Mary Heilmann, April Gornik, Eric Fischl, Ross Bleckner and Dana Schutz.