Artist and producer Eve Essex speaks with composer Matt Marble about his recent projects which draw freely from popular and traditional musics, and on extra-musical perspectives (biology, crystallography, anthropology, dreams).

Bayt (the Arabic and Hebrew word for house) is performed by Hideki's trio Green Zone with the composer on electric bass, baritone guitar, violin, viola, analog synth and water, Otomo Yoshihide on electric guitar, and Uemura Masahiro on drums.

Composer/producer/shaman Charlie Morrow is equal parts Fluxus, Occupy Lincoln Center, Lakota mystic, and tech wizard. A 2011 release entitled TOOT! (XI) contains audio examples from nearly three decades of private experiments and public spectacles.

Live concert recordings featuring avant-garde composer and saxophonist Anthony Braxton playing 16 of his works and three jazz classics. Each piece explores structural, tonal, or textural ideas, moods, or content.

Andrew Lamb, a jazz saxophonist and flautist who heavily influenced New York City's avant-garde community in the 70s, sits down with producer Glenn Leslie to discuss his beginnings in music and where his talent has taken him.

On July 8, 2011 the Soundwalk Collective departed the port of Atakoy Marina in Istanbul on a Turkish gullet with the goal of creating a unique sound portrait of the Black Sea.

David Weinstein sits down with composer and instrument builder Ellen Fullman and the two play tracks and discuss the history and practice of her extraordinary instrument consisting of hundreds of strings stretching over one hundred feet in length.

Composer and multi-media artist Gordon Monahan talks about rethinking the piano, how to swing a speaker, how to animate a theremin, how to make a tomato sing, and how to make a pickle glow. With audio illustrations.

Why can't you see in outer space and why can't you hear in a rainforest? A conversation, with sound illustrations, with the composer and sound artist in advance of his performance at EMPAC in Troy, New York on April 28, 29, 30, 2011 with 90 speakers.

In this segment we feature the musical soundtrack from Terri Hanlon's video doc with works by David Behrman, Jacques Bekaert, Barbara Held, John King with the ETHEL String Quartet, Laetitia Sonami, Maria Ludovici, and Jon Gibson: In Good Company.

A randomly scrambled eclectic hour of adventurous listening curated by artist Bruce Pearson (and then shuffled in harmony with the multiverse paradigm). From Kraftwerk and Rammellzee to Terry Riley and Terry Fox.

New York artist/music collector Bruce Pearson provided a suitcase full of CDs from his eclectic, adventurous archives. He made one stipulation. Find a way to construct playlists that grab tracks from the entire set totally by random. Extreme shuffle.