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Dafna Naphtali & Chuck Bettis, Chatter Blip
Originally aired on Monday, July 18th, 2011

Chatter Blip is a an interstellar multi-character audio operetta involving a multitude of human, alien, and machine voices, in a mash-up of primal and classic sci-fi, electro-acoustics and lo-fi video communications. The piece was created and performed by Chuck Bettis, electronics/voice and Dafna Naphtali, electronics/processing/voice. This performance was recorded at Experimental Intermedia Foundation in New York in December 2010.

Dafna Naphtali is a sound-artist/improviser/composer/singer/guitarist/electronic-musician. An active and versatile performer, she has been performing and composing since the mid-90’s using her custom Max/MSP programming for sound processing of voice and other instruments. She co-leads the digital chamber punk ensemble, What is it Like to be a Bat with Kitty Brazelton and has collaborated / performed with many experimental musicians and video artists, such as Lukas Ligeti, David First, Chuck Bettis, Joshua Fried, Ras Moshe, Alexander Waterman, Kathleen Supové and Hans Tammen, Benton-C Bainbridge and Angie Eng among others, and is a member of Magic Names vocal ensemble championing the vocal work of Stockhausen.

Chuck Bettis was raised in the fertile HarDCore soil, nourished within Baltimore's enigmatic avant garde gatherings, and currently blossoming in New York's downtown musical tribe. He has performed with John Zorn, Fred Frith, Jamie Saft, and Afrirampo to name a few. Some of the musicians Bettis has recorded and played live with are as follows; Ikue Mori, Nautical Almanac, Audrey Chen, Yellow Swans, Toshio Kajiwara, Mick Barr, etc, plus a long history of punk bands he was in (most notably the experimental punk band Meta-matics as well as the enigmatic All Scars).

Originally aired Monday, May 14th, 2012

The San Francisco-based composer is interested in the transformations and slippages that occur when a large number of similar sounds are presented together, in dense layers; 1,000 different 60Hz hums; 10,000 different distant airplanes droning, etc.


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Originally aired Monday, June 27th, 2011

On December 10, 2010, composer Byron Westbrook gave this performance to celebrate his CD release of his Corridors project, built from pre-processed instrumental improvisations and re-distributed through a customized multi-channel audio system.


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Originally aired Wednesday, May 11th, 2011

Composer and sound artist John Hudak's collection of electroacoustic miniatures inspired by European folk melodies, Asian street songs, and the inflections inherent in the speaking voices of various peoples of the world, recorded at EIF in 2010.


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Originally aired Monday, May 2nd, 2011

The sound artist demonstrates his method for creating a tactile feedback signal using acoustic pressure waves: airborne ultrasound generates a force field that can be touched and manipulated. Recorded live at EIF in 2010. Headphones recommended.


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Originally aired Monday, April 11th, 2011

In a performance from December 5, 2010 tabletop guitarist Keith Rowe and video artist Kjell Bjorgeengen presented an interactive and interconnected video and sound piece.


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