Artist Jene Highstein and AIR Director Alanna Heiss in the Clocktower Gallery. Photo courtesy: wowe, 2010.
Artist Jene Highstein and AIR Director Alanna Heiss in the Clocktower Gallery. Photo courtesy: wowe, 2010.
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Alanna Heiss and Jene Highstein, Part 2

Heiss and Highstein remember the Clocktower Gallery’s very first exhibitions, featuring Joel Shapiro's 27 foot-high cube, very little bridge, and very little chair; Richard Tuttle’s paper octagons placed, as if floating, 15 feet above eye-height; and James Bishop’s paintings, which were all hung using a grand total of eight nails.
(6 minutes)

Clocktower Gallery founder Alanna Heiss discusses the early, very early days of the Clocktower Gallery and other 1970's alternative spaces with sculptor Jene Highstein (Part 1 of 2).


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Bill Beirne recalls how Dieter Froese introduced him to the overnight inflation and casual destruction of Sol LeWitt works, and describes encountering a woman on a twenty-foot ladder at the Clocktower Gallery...


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Mary Heilmann describes hallways, recalls Carl Andre, and a potential new career for Clocktower Gallery founder Alanna Heiss.


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Sculptor Richard Nonas describes how he, Alanna Heiss, and a group of fearless artists turned abandoned, rundown basements into exhibition spaces, and wrote the early history of what would become the alternative spaces movement.


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Artist Joel Shapiro and bridges. Bridges, ladders, chairs, bridges, and an inaugural exhibition at the Clocktower Gallery, among other treasures of the early 1970's in the New York art world.


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Hosted by Alanna Heiss

The two-part conversation, A Slice of Pie with Alanna Heiss, took place November 11, 2009, at apexart between Clocktower founder Alanna Heiss, artist Nancy Hwang and curator Sandra Skurvida, curator of AVANT-GUIDE TO NYC: Discovering Absence.


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Performance artist Ann Magnuson discusses her first meeting with the Clocktower Gallery, and how its dramatic quality informed her first performance in the space.


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Ellen Phelan discusses her early years as a painter in New York, and her encounters with Jennifer Bartlett, Elizabeth Murray, John Baldessari and, more importantly (as we would later find out), Joel Shapiro. A bit of our history at the Clocktower.


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Up close and personal with artist Colette, whose relationship with The Clocktower Gallery goes way back.


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Gallerist Jeffrey Deitch's memories of the birth of the Clocktower, and its immediate influence on the creation of new, alternative spaces around the world.


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Vito Acconci recalls his first installation in the Clocktower Gallery's boiler room, and discusses the importance of site-specificity in his work.


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