Nancy Hwang's Clocktower Oral History Project. Photo courtesy: apexart, 2009.
Nancy Hwang's Clocktower Oral History Project. Photo courtesy: apexart, 2009.
The Clocktower Oral History Project

For her participation in apexart’s AVANT-GUIDE TO NYC: Discovering Absence, a 2009 exhibition investigating the activities and documentation of some of New York City’s most unique cultural spaces, artist Nancy Hwang revisited the 37-year history of the Clocktower Gallery.

Remembering her earliest moments in the Clocktower, Hwang says:

"It was the third building I entered when I moved to New York in 1996. The first was my new apartment, and the second was the terribly generic Chinese restaurant around the corner. As a young art school graduate, I was pretty green. I didn't understand the Clocktower's special place in the history of the art world, and certainly couldn't figure out how to get to the 13th floor in a building with elevators that only went to 12."

"I met Alanna Heiss shortly before the 1997 re-opening of P.S.1 after a three-year renovation, and ended up working for her for three years. The people I met during that time were incredible art world personalities, whom I would encounter again and again in different situations after my P.S.1 years. One of Alanna's many gifts is to always have great people around her. She attracts with her energy and inspires mad genius—something of a superpower."

"Now that Alanna is back at the Clocktower with its galleries restored, engaged as the Director of AIR, Art International Radio, it's a new important moment. It offers the perfect opportunity for me to run around town asking icons of the art world to share their stories about the Clocktower, because as always, it's about the people."

Hosted by Alanna Heiss

The two-part conversation, A Slice of Pie with Alanna Heiss, took place November 11, 2009, at apexart between Clocktower founder Alanna Heiss, artist Nancy Hwang and curator Sandra Skurvida, curator of AVANT-GUIDE TO NYC: Discovering Absence.


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Clocktower Gallery founder Alanna Heiss discusses the early, very early days of the Clocktower Gallery and other 1970's alternative spaces with sculptor Jene Highstein (Part 1 of 2).


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Clocktower Gallery founder Alanna Heiss discusses the early, very early days of the Clocktower Gallery and other 1970's alternative spaces with sculptor Jene Highstein (Part 2 of 2).


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Performance artist Ann Magnuson discusses her first meeting with the Clocktower Gallery, and how its dramatic quality informed her first performance in the space.


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Bill Beirne recalls how Dieter Froese introduced him to the overnight inflation and casual destruction of Sol LeWitt works, and describes encountering a woman on a twenty-foot ladder at the Clocktower Gallery...


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Up close and personal with artist Colette, whose relationship with The Clocktower Gallery goes way back.


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Ellen Phelan discusses her early years as a painter in New York, and her encounters with Jennifer Bartlett, Elizabeth Murray, John Baldessari and, more importantly (as we would later find out), Joel Shapiro. A bit of our history at the Clocktower.


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Gallerist Jeffrey Deitch's memories of the birth of the Clocktower, and its immediate influence on the creation of new, alternative spaces around the world.


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Artist Joel Shapiro and bridges. Bridges, ladders, chairs, bridges, and an inaugural exhibition at the Clocktower Gallery, among other treasures of the early 1970's in the New York art world.


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Mary Heilmann describes hallways, recalls Carl Andre, and a potential new career for Clocktower Gallery founder Alanna Heiss.


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Sculptor Richard Nonas describes how he, Alanna Heiss, and a group of fearless artists turned abandoned, rundown basements into exhibition spaces, and wrote the early history of what would become the alternative spaces movement.


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Vito Acconci recalls his first installation in the Clocktower Gallery's boiler room, and discusses the importance of site-specificity in his work.


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