Photo by Marshall Astor, 2007.
Photo by Marshall Astor, 2007.
The Bio-Blurb Show
Hosted by Suzanne Anker

From "wetware" practices to "live" art, from reproductive technologies to cloning, from plastic surgery to brain chips, the "Bio-Blurb" show explores the futuristic aspects of the "sci-art" conjunction in the US, the UK, Germany and Australia. The show is host to artists, scientists, curators, critics and philosophers who explore the intersections of the visual arts and the genetic sciences in contemporary art.

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In this Series
Originally aired on Monday, September 4th, 2006

This segment with Oron Catts, explores the philosophical underpinnings of tissue culturing as a medium for artistic expression. Oron Catts is Co-Founder and Artistic Director of SymbioticA.

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Originally aired on Monday, May 29th, 2006

This episode examines the dialectical and/or reciprocal relations between science and myth, as explored by an artist, a curator, and a molecular biologist.

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Originally aired on Monday, May 15th, 2006

Does the growing interest of scientific themes in the literary, performing and visual arts contribute to the public understanding of science? Can works of fiction be critical tools to critique the sciences?

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Originally aired on Monday, May 1st, 2006

From neural networks to the World Wide Web, connectivity abounds. Branching patterns of complex configurations transmit and store impulses of information in the brain's living data bank.

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Hosted by Suzanne Anker
Originally aired on Monday, April 3rd, 2006

What roles do images play in each domain? Has the concept of beauty been banished by art and resuscitated by science? Suzanne Anker and her guests discuss authenticity and information as embedded narratives in pictures.

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Originally aired on Monday, March 13th, 2006

Invoking physics and mathematics as scientific influences for the revolution in art that took place in the early 20th century, our guests discuss the realities behind appearances, the fourth dimension in time and space and the nature of simultaneity.

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Originally aired on Monday, February 27th, 2006

This edition tackles the interactions of art and science as mechanisms embedded in knowledge systems. The discussion centers around an exhibition at Pratt Institute where the work of both artists and scientists were exhibited across disciplines.

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Originally aired on Monday, November 21st, 2005

In an age of bio-technology and bio-engineering, the divide between nature and culture is becoming increasingly osmotic. Archeology meets DNA analysis, genes are bought and sold and urbanization is looked at as an aspect of manipulating nature.

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Originally aired on Monday, July 25th, 2005

Exploring the changing relationship of humans towards animals brought about by novel bio-technologies, this edition focuses on animals as scientific research models and their incorporation in works of art.

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Originally aired on Monday, June 27th, 2005

The teratoma, a monstrous form of cells has resurfaced, as an entity which could bridge the philosophical gap between religion and science. Jennifer Willet and Shawn Bailey discuss their work which centers around live tissue, meat and digital media.

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Originally aired on Monday, May 2nd, 2005

This episode examines religious references such as the relic, "incarnational consciousness" and immortality with regard to the genetic decoding of the "book of life" and art's magico-religious roots.

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Originally aired on Monday, April 4th, 2005

How do museum collections, like the mind, generate dreams? This episode explores the materialist self through neurocultural enhancements, information storage and "the seven sins of memory."

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Hosted by Suzanne Anker
Originally aired on Monday, March 21st, 2005

Host Suzanne Anker and guests reconsider the virus as both a biological and cultural phenomenon. In its mutating form, new strains have been able to cross species boundaries, just as globalization has created permeable boundaries in geopolitics.

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Hosted by Suzanne Anker

Laura Lindgren, Allan Ludwig and Pete Mauro join host Suzanne Anker for this discussion of representations of the mortal coil among the "formaldehyde photography set," on gravestones, and elsewhere.

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Should artists be allowed in the lab? These three are not stopping to ask permission! Besides, can't artists bring a new perspective to bio-practice? Adam Zaretsky is an artist/researcher who has worked at both MIT's Arnold Demain Laboratory.

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